Author Archives: mpankuch

Recycled Tomb Rewrites History

One of the questions I often hear immediately after I tell someone I want to be an Egyptologist (other than “What does that even mean?”) is always, “Didn’t we find everything already?”

This month, the Penn Museum team answered that question loud and clear.

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(courtesy of Penn Museum)

An archaeological team working at Abydos, a site in southern Egypt, have discovered the tomb of a previously undiscovered ruler: Pharaoh Woseribre Senebkay—and in turn have discovered the first material proof of a unknown Abydos dynasty ca. 1650-1600 BCE.

The excavation of this tomb began in the summer of 2013, when Dr. Josef Wegner, The Egyptian Section Associate Curator of the Penn Museum, led the Penn Museum team in the discovery of a 60-ton royal sarcophagus chamber at South Abydos (depicted above). The summer ended with little information on the sarcophagus—no known owner and only a possible dating to the late Middle Kingdom.

Then, during just the last few weeks of excavations, more and more information was discovered concerning this mysterious chamber. It is now known that the chamber is derived from a royal tomb built originally for Pharaoh Sobekhotep in the 13th Dynasty, but re-used for the previously unknown Pharoah Senebkay in Egypt’s Second Intermediate Period. Senebkay’s tomb dates from around 1650 BCE and is composed of four chambers (including a decorated limestone burial chamber). The tomb has multiple texts providing the king’s titulary.

As is the case for many Egyptian tombs, tomb robbers had most certainly hit the tomb of Senebkay. The king’s body was originally mummified, but his remains were torn apart during the assumed violent incursion that also likely resulted in the loss of the pharaoh’s tomb equipment. However, archaeologists were able to recover remains of the body (and reconstruct it—minus a jaw bone), coffin, funerary masks, and even the canopic chest. The canopic chest of Senebkay was made of cedar wood that had been reused from the nearby tomb of Sobekhotep I and still bore Sobekhotep’s name, covered by gilding. Along with the reused sarcophagus, the canopic chest provides historical evidence for the suggestion of limited resources during the economic situation in the Second Intermediate Period.

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(courtesy of discovery.com)

Yet the most important aspect of this discovery is best expressed by the Co-Founder/Owner of Past Preservers (and my former boss!) Nigel Hetherington, a British archaeologist in Egypt.

“There was a gap in the chronology for this period, so people presumed that these pharaohs existed but they had not found the graves. The history books will now be rewritten because of what [these archaeologists] have discovered.”

The excavation of this tomb has further proven that the tomb is just one of many that may be hidden in this area. Lead archaeologist Joseph Wegner predicts that around 20 previously unknown pharaohs may be buried near Senebkay’s tomb.

Who knows what the future holds for the Acropolis at Abydos and what wonderful discoveries may be made in the future? One thing that is certain, however, is that there will always be more to discover about the Ancient Egyptians.

Sources:

http://news.discovery.com/history/ancient-egypt/mystery-pharaoh-found-in-egypt-140116.htm

http://www.penn.museum/press-releases/1032-pharaoh-senebkay-discovery-josef-wegner.html

http://www.telegraph.co.uk/news/worldnews/africaandindianocean/egypt/10592988/Egyptian-pharaoh-unearthed-after-3600-years.html

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Meux Than Meets the Eye

Museum Collections were  major catalysts in the development of my love of Ancient Egypt. The ability to take a day trip into the city (I grew up in a suburb of Chicago) and allow myself to become completely immersed in the culture of the ancient world was an amazing experience.  Yet, as I have grown older, I’ve learned that, for all the beautiful objects  on display in any museum in any part of the world, there are multitudes of additional artifacts hidden away within the museum walls. Furthermore, there are many, many items that are kept in the personal collections of archaeologists, historians, or private families—passed down through generations.

One such collection that has made semi-recent headlines is the collection once belonging to Lady Valerie Meux.

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(courtesy of Egyptology News Network)

Lady Meux was born Valerie Susie Langdon in 1847. She met her husband, Sir Henry Meux, while she worked as a Banjo-playing barmaid in Brighton. Gossip tells that she may have worked as a prostitute under the name “Val Reece:”, and supposedly lived “in sin” with a Corporal Reece. All that Valerie commented on the subject was “I can very honestly say that my sins were committed before marriage and not after.” You go, Val.

At age 31, she married Sir Henry Meux, 3rd Baronet, in secret.  Sir Henry’s family owned a very successful brewery and had become fairly rich through trade. They were certainly unimpressed with his choice of spouse, never fully accepting Valerie into their social circle. She was a scandalous woman, known to drive herself around London, attend meetings of the Theosophical Society, host many glamorous parties, and—according to popular gossip—attend prize fights in disguise and ride around town in a carriage pulled by zebras. I repeat, ZEBRAS.

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(courtesy Natural History Museum of London)

A frequent visitor to the British Museum, Lady Meux became fascinated with Egyptian artifacts and had soon acquired her own collection of over 1,700 items. Her massive collection is documented in two detailed catalogues, authored by Egyptologist Wallis Budge and published at the Meux’s expense.  One of these catalogues, entitled “Some account of the collection of Egyptian Antiquities in the possession of Lady Meux at Theobald’s Park”, describes in detail some of the most prized artifacts within the collection, including the coffin (mummy included)  of Nes-Amsu, a priest of the Ptolemaic period. Nes-Amsu was “acquired” in Egypt by Walter Herbert Ingram, who in turn gifted it to Lady Meux in 1886. Ingram was killed by an elephant in the following year, inspiring the rumor that he was a ‘victim of the curse’.

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(courtesy of “Some account of the collection of Egyptian Antiquities in the possession of Lady Meux at Theobald’s Park”)

Yet almost as mystifying as the possibility of a mummy’s curse is the collection’s mysterious history after the death of Lady Meux in 1910. According to her will, the British Museum was offered the entire collection for £2,250, but the Board rejected the offer due to the conditions of the trust. Consequentially, the collection was auctioned off in 1911.

The location of the bulk of the Meux collection remains, to this day, a mystery. Some think it was acquired by American William Randolph Hearst, who had agents at the Meux sale and who purchased a showpiece of the collection, the pair statue of Nebsen and Nebet-ta. This statue was acquired by Lady Meux herself on a visit to Egypt, and now sits in the Brooklyn Museum. Two small artifacts sit at the Petrie Museum, while two others surfaced at an auction in New York in December of 2007 where an alabaster vase inscribed for Pepi I sold for $91,000 and a granite head from a block statue for $102,000.

The location of the remaining 1,695 pieces of the Meux collection remains a mystery.  And although we may never know their whereabouts, it is hopeful to think that one day, they, like the thousands of artifacts sitting behind closed doors of museums, will be brought to light, allowing us to uncover even more ancient secrets of the Valley of the Nile.

Works Cited:

http://egyptologynewsnetwork.blogspot.com/2010/07/lady-meux-banjo-playing-barmaid-who.html

http://books.google.com/books?id=Ky1PAAAAYAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

http://www.virtual-egyptian-museum.org/Collection/FullVisit/Collection.FullVisit-JFR.html?../Content/STO.VL.01112.S.html&0

 

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Neb-Senu does the hokey pokey and he turns himself around…

In June, the social media world began buzzing when a time-lapse video from the Manchester Museum in Manchester England was released, depicting an Ancient Egyptian statue physically rotating on its own.

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(courtesy of  Cavendish Press)

Although much research has subsequently been done looking into reasons why the statue might be spinning, scientific or magical, let’s start from the very beginning (I hear it’s a very good place to start.)

The statuette was donated to the museum in 1933 by Annie Barlow, a mill owner from Bolton who sponsored archaeological digs in the great era of discovery—King Tut’s tomb being discovered only a decade earlier by Howard Carter. Nothing is known about the specific tomb that the statuette came from, but by examining the figurine’s hieroglyphic inscriptions, it is possible to decipher a few bits of information about the tomb’s owner.  From the statue’s shoulder-length wig and knee-length civil-service kilt, it is gauged that the tomb owner, named Neb-Senu, was a senior civil servant.  Little is known about Neb-Senu other than that he was a man of means, given the quality of the 10 inch tall serpentine statuette created as a place for his ka, or spirit, to live when his body had passed into the afterlife. Neb-Senu is thought to have died around 1800 BC, and the inscription requests offerings of beer, beef, and a fowl—a standard prayer in Ancient Egyptian funerary texts.

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(courtesy of Campbell Price)

The statue has been housed at the Manchester Museum for 80 years, and was brought to the global stage after Campbell Price, the curator of the Egyptian Artifacts at the institution, noticed that the statue had been moved from its original position.  This continued for multiple days, sparking the interest of Price. In order to formally investigate, he returned the statuette to its original position in a locked glass case and set up a camera to film the time-lapse video that has since become an internet sensation.

Scientists have taken many different approaches to explaining the self-spinning statue. Some attribute the movement to the vibrations in the room caused by foot traffic, due the revelation that the statuette only moved during the day, when visitors were present. Other experts claim that “differential friction” is the culprit, but even then, some kind of force must be exerted on the statue for it to move. In fact, all of the scientific explanations have major flaws. For example, on one occasion, the statue moved 45 degrees in 90 minutes when there were no visitors or staff members in the chamber. And, even more oddly, the statue has rotated in a perfect circle without “wobbling off” in any other direction while none of the other statues in the case, most notably on the same shelf, have shifted at all.

Other possible explanations state that it is simply the individual placement and character of the statue itself, that a magnetic force is working on the figure, or that the spirit of Neb-Senu himself has returned to his ka statue and waiting for offerings to be brought.

Unfortunately, the spinning of the Neb-Senu statue may remain a mystery for all eternity due to museum renovators being forced to move the case from its current location. But before they do, perhaps someone should give Neb-Senu the beer he’s been requesting for over 2000 years?

 

 

Works Cited:

http://abcnews.go.com/blogs/lifestyle/2013/06/ancient-egyptian-statue-mysteriously-rotates-at-museum/

http://www.telegraph.co.uk/culture/museums/10141238/On-the-trail-of-Manchester-Museums-moving-Egyptian-mummy.html

http://www.cnn.com/2013/06/25/world/europe/uk-spinning-statue-mystery/index.html

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Tut’s Tasty Treat

As October comes to a close and autumn settles in, many children are focused on just one thing: Halloween. They dream of costumes and of bringing home their favorite candies (mine being the classic Hershey’s kiss).  Thinking of candy, I began to wonder: what sweet treats did the Ancient Egyptians enjoy?

The answer came in a care package from my parents. Inside I found a box of tea in a flavor that I had never encountered before (those who are close to me understand the shock factor): A Yogi tea labeled “Egyptian Licorice”.

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The description on the box detailed how “The great kings of Egypt treasured licorice root for its natural sweetness, rich flavor and restorative properties.” Could it be true? Of all things, LICORICE is a treasure?

Manuscripts dating to 360 AD have been found discussing the use of licorice to treat skin diseases, coughs, and eye ailments. There is even record of Alexander the Great and Julius Caesar endorsing the benefits of eating licorice, Caesar using the plant as a treatment for his epilepsy.  Napoleon was also an avid supporter of licorice, which he was said to find “soothing” during battle. It is said that he supposedly ate so much that his teeth turned black. (Never fear, the amount found in today’s candies will not leave you looking like you were cast as Imhotep in “The Mummy”)

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But what IS licorice? Technically speaking, licorice is considered a weed. It grows to around 4 ft high and sprouts purplish flowers. The plant’s botanical name, Glycyrrhiza glabra, comes from the Greek word meaning “sweet root”, and the plant is grown in hot, dry locations.

Licorice in Ancient Egypt is described as being used as a medicinal cure for ailments such as stomach and liver problems,” said Dr. Mohamed Nafady, an expert in alternative medicine, who practices herbal medicine.  There is further hieroglyphic record of licorice being in a popular men’s beverage up to the time of the writing of the bible!

Perhaps the best evidence of licorice use in Ancient Egypt came during the discovery of the tomb of the Great Pharaoh Tutankhamun, “King Tut”.  Licorice was found in copious amounts in the tomb, amid his jewelry, gold, and other treasures. The sweet drink created from licorice, called “Mai Sus” was considered to be so precious to the young pharaoh that a large quantity was buried with him so he could enjoy it on his journey into eternity.

So as you trick or treat this Halloween, pick up a cup of “Mai Sus” and make a toast to your favorite Mummy, King Tut!

Citations:

http://www.yogiproducts.com/products/details/egyptian-licorice/

http://www.licoriceinternational.com/licorice/pc/About-Licorice-d25.htm

http://www.licorice.org/Health___History/History/history.htm

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Another King in Memphis

As I moved in to my new apartment just off The University of Memphis Campus before the start of my Senior Year, I decided to take my mom on a tour of the beautiful campus and immediately knew where our first stop would be.

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After crossing the road from Central Parking Lot to the main campus, every student is greeted by none other than Ramses the Second.

The 50-ton statue is amazing and impressive–much like the pharaoh himself. Ramses was the third pharaoh in the 19th dynasty and reigned for 67 years. The historical record proclaims him a fierce warrior, learned architect, and the husband of one of the greatest royal wives, Nefertari.  Ramses is depicted in stone at multiple locations throughout Egypt fighting in his chariot in the Battle of Kadesh against the Hittites. He is highly praised for his architectural achievements, which include the Ramesseum, Pi-Ramesse  and six buildings in Nubia, two of which reside at the great temple of Abu Simbel. Since building could only be done in prosperous, peaceful times, the high quantity of architectural projects is particularly impressive and attests not only to this pharaoh’s talent as an architect, but also to his skills as the leader of the Two Lands.

But where did this statue come from?

Naturally, it all ties back to my fantastic school, The University of Memphis (Go Tigers!).  In 1987, after the hard work of Dr. Carol Crown to recruit Dr. Frita Reed, which led to the foundation of the Institute of Egyptian Art and Archeology at the U of M, a traveling exhibit was brought to the pyramid entitled Ramses The Great. The exhibit included over 73 artifacts, including a large, but deteriorating statue of—you guessed it—the Great Pharaoh. The City of Memphis promised the Egyptian government that the statue would be restored and, in turn, the Egyptian Government allowed the production of a replica of the statue–the first authorized reproduction of an Ancient Egyptian Artifact outside of Egypt! The new Statue was placed facing East, towards the rising sun, and was seen by over 730,000 people that visited the traveling exhibit during its 4-month stay at the Civic Center Plaza.

When the Memphis pyramid was leased to Bass Pro Shop in August 2011, it was decided that the statue would move to the University of Memphis, where it now stands as a symbol of not only the Institute of Egyptian Art and Archaeology, but as an embodiment of the eternal connection between the two cities of Memphis, TN and Memphis, Egypt.

In the not-to-distant future, I hope to post a picture of me standing next to the original statue in Memphis, Egypt…stay tuned!

 

 

Citations:

http://thelastpageblog.com/pages-writing-samples/memphis-to-memphis/

http://ancienthistory.about.com/od/egypt/ig/Ancient-Egypt/Ramses-II.htm

http://www.memphis.edu/update/jan12/ramesses.php

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Egyptologist Envy

When I first began considering Egyptology as a career, I looked to current Egyptologists for inspiration. Of course I imagined my days being lived out much like Evelyn O’Connell’s in The Mummy movie series—working within a fantastic museum and making amazing discoveries, all while looking camera-ready fabulous.  Unfortunately, after two seconds of conversation with someone actually working in the field of Egyptology, my dreams of galavanting down the Nile with Brendan Fraser were quickly dashed.

Swallowing my tears, I began searching for a more realistic idol for my Egyptology career. I had many options to choose from among the greats of female Archaeologists/Egyptologists, Amelia Edwards, Margaret Murray, and Lady Hilda Petrie to name a few. With a more modern-day inspiration in mind, I finally uncovered the one who showed me that all of my Egyptological dreams are possible—all while looking even MORE fabulous than Evelyn O’Connell.

That being said…

Hello Friend.  My name is Melissa Pankuch and I have intense Egyptologist Envy of Kara Cooney.

 

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( courtesy of karacooney.com)

Dr. Kara Cooney is currently an Assistant Professor of Egyptian Art and Architecture at UCLA.  Among her many accomplishments rank a PhD in Near Eastern Studies from Johns Hopkins University in 2002, archaeological excavations in the craftsmen’s village of Deir el Medina, the royal temple site at Dahshur, and multiple Theban tombs, not to mention her past teaching positions at Stanford and Howard University. In 2005, she was the co-curator Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum. In all honesty, I could continue to spout of Dr. Cooney’s accomplishments, but then I would sound a bit like the Eloquent Peasant. J

So, putting aside her numerous international adventures, countless publications, and extensive curating expertise, why do I have such extreme Egyptologist Envy of Dr. Kara Cooney?

Simply put, she has been able to balance the pursuit of her dreams, the demands of a busy career, and the raising of a family—a feat that deserves great praise. And along with this balancing act, she manages to look fabulous on screen (in her archaeology series Out Of Egypt, created with her husband Neil Crawford, presently airing on Planet Green and Netflix) and off screen.

So here’s to you, Kara Cooney. For allowing an aspiring Egyptologists like myself to believe that dreams of being the next Evelyn O’Connell may not be all that impossible. 

 

 

Want to learn more about Dr. Cooney? Check out her website http://www.karacooney.com/ and like her page on facebook

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Eye on the Needle: The Fight to Save an Iconic Egyptian Monument

While scouring the internet for current Egyptology news, I came across a campaign that desperately needs our help.
“Eye on the Needle” is a documentary created by Dr. Paul Harrison, a graduate of University College London, and his team. The video (which is currently in the filming stage) features ‘Cleopatra’s Needle’, an Ancient Egyptian Obelisk that sits on London’s Embankment. The documentary will follow Dr. Harrison as he reveals the history of ‘Cleopatra’s Needle’, recounts how it came to London, and discusses the conditions that are putting the monument in danger. Many modern technologies, such as vehicles, are generating pollution that is causing gradual erosion of the needle, which, over time, is causing the precious hieroglyphs on its face to begin fading.
This film will hopefully spark crucial conversations about conservation and preservation strategies for all Ancient Egyptian obelisks and monuments.
Not convinced? Check out this video by the team:

There are only 12 DAYS left in the campaign, and they are in desperate need of your support! Whether you can give a monetary donation (and receive rewards like a t-shirt, personal tours of the British Museum, and even days on the film set) or simply spread the word on social media, Please take the time to help save this unique and irreplaceable Egyptian Monument.

To support the campaign, check out its campaign page on facebook ‘Eye on the Needle Campaign’, follow on twitter @eyeontheneedle, and support here: http://www.sponsume.com/project/eye-needle941818_112839192259619_1780023929_n

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Anything is possible…I could even go to Egypt!

In the second grade, my elementary school gave us a simple assignment at the end of the year. “Believe that anything is possible. Draw what you would do.” Many of the other students illustrated their dreams of being a fireman, a rock star, an NBA player, or an astronaut. Some drew images of having families, climbing mountains, or sailing the seas as a pirate.

And then there was one; one girl in the back of the classroom, engulfed in a sea of brown and tan colored pencils, with a look of wonder across her face. When the time came to present the drawings, the girl’s hand shot up as the first volunteer. She bolted to the front of the room, composed herself, and presented her pride and joy.

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Okay, so clearly I was never destined to be the next Monet; I could barely draw people, let alone the Sphinx. But from the age of seven, I knew that I would forever be dreaming of the valley of the Nile, and that it would always have a hold over my heart.

Fast-forward 14 years and here I am, a soon to be Senior Art History Major, preparing for grad school, and even more in love with Ancient Egypt than that little girl whose depiction of a camel might easily be confused for a monster out of a Sci-Fi novel. Over the years I have read numerous books, seen more History and Discovery Channel specials than I can count, and even owned a mummify-your-own-pharaoh kit (mummy curse included), but I have never truly had the opportunity to convey my love for Egypt, and all it’s quirks and mysteries, to the rest of the world.

Which is where you come in. I’m no expert: I don’t have a Ph.D and I can’t read hieroglyphics (yet!), but my dedication to this field is as strong as those who do. I hope, from these small tastes of the world of Ancient Egypt that I can provide through this blog, you will make a unique connection to a time and a place that I care deeply about.

My “Anything is possible..” drawing now hangs, framed, in my bedroom over my desk, as a constant reminder of my goals, and of the truth that, as an Ancient Egyptian proverb states, “Growth in Consciousness does not depend on the will of the intellect or it’s possibilities, but on the intensity of the inner urge.”

Thank you for following “Stories My Mummy Told Me”. Keep your mind open on the journey and, remember—anything is possible…

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