Posts Tagged With: ptolemaic period

Rosetta and Philae: from Ancient Egypt to Asteroids!

 

 

  Image(courtesy of the EGSA)

This August, Ancient Egypt will experience a stellar comeback. Literally. In just a few weeks, the spacecraft “Rosetta”, launched in 2004, will reach its destination—the comet 67P/Churymov-Gerasimenko, and be delivered to its lander, “Philae” on the surface of the comet! On March 20-21st, scientists noted (through an OSIRIS wide-angle camera….Osiris—get it?) that Rosetta was right on track for its arrival.

In addition to the fact that a spacecraft being able to land on a comet is just about the coolest thing EVER, the connection to Ancient Egypt makes this particular mission even sweeter!

The spacecraft Rosetta is named after the famous Rosetta stone, an ancient artifact currently housed at the British Museum. According to the museum’s records, the Rosetta stone is from the Ptolemaic Period of Ancient Egypt (around 196 BC) and is an inscribed decree passed by a council of priests.  The true value of this artifact is found in the carved text where the council’s decree is inscribed three times: once in Hieroglyphs (the older language almost exclusively used by the religious at this point in history), once in Demotic (daily script of Egyptians in the period), and once in Greek (the language of the administration)

 

Image (courtesy of the British Museum)

When the stone was initially discovered by Napoleon’s army in 1799 in the town of el-Rashid (Rosetta), no one could decipher the hieroglyphic texts. However, an English physicist, Thomas Young, was the first to realize that some of the hieroglyphs on the Rosetta stone spelled out the royal name Ptolemy. Using this knowledge, the French scholar Jean-Francois Champollion, who was fluent in Coptic and Greek, was then able to uncover the connection between Greek, Coptic, and Demotic! His work was the catalyst to the formation of our understandings of all hieroglyphic texts.

And what about Philae? The Rosetta spacecraft’s lander is named after an obelisk found on the Nile island of Philae. This obelisk, much like the Rosetta stone, contains texts in both Greek and ancient Egyptian hieroglyphs, and was utilized as a comparative “document” by Champollion and other scholars as they translated the ancient Egyptian language. In particular, scholars were able to identify the hieroglyphic spelling of Cleopatra and her family name Ptolemy through these two objects, providing a breakthrough that changed the landscape of Egyptology by providing a kind of “skeleton key” to the long misunderstood language of the ancient culture.

 

 Image(courtesy of kalligraphie.de)

In regards to our space mission, scientists are hoping that the spacecraft Rosetta and the lander Philae will function in the same way as their ancient counterparts, allowing scientists to discover previously unknown facts about the earliest years of the Solar System, when the planets were not yet formed and only comets and asteroids surrounded the sun.

As of June 20th, the spacecraft Rosetta was just under 160,000 km away from the comet and from meeting the lander Philae. Although scientists are unsure of how successful the mission will be, we will hope for history to repeat itself, and for Rosetta and Philae to hold their title as a team that opens the door to the ancient world…and beyond! 

 

 

 

Sources:

http://www.universetoday.com/110761/rosetta-spacecraft-spies-its-comet-as-it-prepares-for-an-august-encounter/

http://www.britishmuseum.org/explore/highlights/highlight_objects/aes/t/the_rosetta_stone.aspx

http://books.google.com/books?id=LVxT6gMEQzIC&pg=PA65&lpg=PA65&dq=obelisk+of+philae+rosetta+stone&source=bl&ots=NGp2FsRdlo&sig=kzQcgnqZZtiQhTSwJQUHv7qcWL0&hl=en&sa=X&ei=TnakU8O5MYfEsATgz4GoCg&ved=0CCcQ6AEwBDgK#v=onepage&q=obelisk%20of%20philae%20rosetta%20stone&f=false

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Meux Than Meets the Eye

Museum Collections were  major catalysts in the development of my love of Ancient Egypt. The ability to take a day trip into the city (I grew up in a suburb of Chicago) and allow myself to become completely immersed in the culture of the ancient world was an amazing experience.  Yet, as I have grown older, I’ve learned that, for all the beautiful objects  on display in any museum in any part of the world, there are multitudes of additional artifacts hidden away within the museum walls. Furthermore, there are many, many items that are kept in the personal collections of archaeologists, historians, or private families—passed down through generations.

One such collection that has made semi-recent headlines is the collection once belonging to Lady Valerie Meux.

a

(courtesy of Egyptology News Network)

Lady Meux was born Valerie Susie Langdon in 1847. She met her husband, Sir Henry Meux, while she worked as a Banjo-playing barmaid in Brighton. Gossip tells that she may have worked as a prostitute under the name “Val Reece:”, and supposedly lived “in sin” with a Corporal Reece. All that Valerie commented on the subject was “I can very honestly say that my sins were committed before marriage and not after.” You go, Val.

At age 31, she married Sir Henry Meux, 3rd Baronet, in secret.  Sir Henry’s family owned a very successful brewery and had become fairly rich through trade. They were certainly unimpressed with his choice of spouse, never fully accepting Valerie into their social circle. She was a scandalous woman, known to drive herself around London, attend meetings of the Theosophical Society, host many glamorous parties, and—according to popular gossip—attend prize fights in disguise and ride around town in a carriage pulled by zebras. I repeat, ZEBRAS.

b

(courtesy Natural History Museum of London)

A frequent visitor to the British Museum, Lady Meux became fascinated with Egyptian artifacts and had soon acquired her own collection of over 1,700 items. Her massive collection is documented in two detailed catalogues, authored by Egyptologist Wallis Budge and published at the Meux’s expense.  One of these catalogues, entitled “Some account of the collection of Egyptian Antiquities in the possession of Lady Meux at Theobald’s Park”, describes in detail some of the most prized artifacts within the collection, including the coffin (mummy included)  of Nes-Amsu, a priest of the Ptolemaic period. Nes-Amsu was “acquired” in Egypt by Walter Herbert Ingram, who in turn gifted it to Lady Meux in 1886. Ingram was killed by an elephant in the following year, inspiring the rumor that he was a ‘victim of the curse’.

c

(courtesy of “Some account of the collection of Egyptian Antiquities in the possession of Lady Meux at Theobald’s Park”)

Yet almost as mystifying as the possibility of a mummy’s curse is the collection’s mysterious history after the death of Lady Meux in 1910. According to her will, the British Museum was offered the entire collection for £2,250, but the Board rejected the offer due to the conditions of the trust. Consequentially, the collection was auctioned off in 1911.

The location of the bulk of the Meux collection remains, to this day, a mystery. Some think it was acquired by American William Randolph Hearst, who had agents at the Meux sale and who purchased a showpiece of the collection, the pair statue of Nebsen and Nebet-ta. This statue was acquired by Lady Meux herself on a visit to Egypt, and now sits in the Brooklyn Museum. Two small artifacts sit at the Petrie Museum, while two others surfaced at an auction in New York in December of 2007 where an alabaster vase inscribed for Pepi I sold for $91,000 and a granite head from a block statue for $102,000.

The location of the remaining 1,695 pieces of the Meux collection remains a mystery.  And although we may never know their whereabouts, it is hopeful to think that one day, they, like the thousands of artifacts sitting behind closed doors of museums, will be brought to light, allowing us to uncover even more ancient secrets of the Valley of the Nile.

Works Cited:

http://egyptologynewsnetwork.blogspot.com/2010/07/lady-meux-banjo-playing-barmaid-who.html

http://books.google.com/books?id=Ky1PAAAAYAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

http://www.virtual-egyptian-museum.org/Collection/FullVisit/Collection.FullVisit-JFR.html?../Content/STO.VL.01112.S.html&0

 

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